Margaret Qualley is wrapped in nothing but an “I Love New York” towel and her own words about love, marriage, and what comes next in a new Vanity Fair cover story that lets her define her relationship with Jack Antonoff on her terms.
TLDR
Margaret Qualley uses a revealing Vanity Fair cover and a stream of intimate, funny text messages to share rare details about her marriage to Jack Antonoff, hint at future kids, and celebrate the friendships and small pleasures that ground her.
Stripping Back the Glamour
The first image is pure New York romance. Qualley, 31, poses for Vanity Fair in a white towel printed with the classic “I Love New York” logo, a familiar tourist slogan turned into something unexpectedly vulnerable and personal. According to Page Six, the photo fronts a cover story that pairs the stripped-back styling with the most candid comments she has made in some time about her life with music producer Jack Antonoff.
In the interview, the “Substance” actress describes herself as someone who has always led with her heart. “I have always been very love-oriented,” she told the magazine. It is a simple line, but for an actress whose career has moved from breakout work in prestige projects to the surreal glare of awards season, it is also a quiet mission statement.
Qualley explained that long before she became a Vanity Fair cover star, she was searching for the kind of connection she has now. “I have always been looking for my person, and I met Jack,” she said. Then she added the part that feels like the real reveal. “Jack has helped me for sure, because he has made me feel more confident to explore all the parts of myself.”
Those words sit alongside images that underline the point. Beyond the towel, Qualley poses in a sequin mini dress and a black lace two-piece set. The styling is glamorous and a little mischievous, yet the story she tells is less about seduction and more about safety. The message is that she is not just undressed physically, she is letting the public see the contours of a marriage she usually protects.
Margaret Qualley appears on the Vanity Fair cover wearing only an “I Love New York” towel, photographed by Dan Jackson for the magazine.
A Love Story in Public
For all her talk of privacy, Qualley and Antonoff’s romance has played out in chapters that fans have followed in real time. According to Page Six, the two were first romantically linked in August 2021, when cameras caught them kissing on a bridge in Brooklyn. The photos captured something disarmingly ordinary. They wrapped their arms around each other and walked to an ice cream shop, turning the bridge into a kind of modern movie still.
By March 2022, they were ready to step into the more official spotlight. The couple attended the AFI Awards Luncheon together, presenting themselves not as a rumored fling but as a pair who were now comfortable sharing a red carpet. In the language of Hollywood relationships, that was a clear declaration.
Margaret Qualley and Jack Antonoff have grown from low-key Brooklyn dates to a polished awards-season couple.
Reports of an engagement followed in May 2022, after Qualley appeared at the Cannes Film Festival wearing a substantial diamond ring. Page Six noted that the sparkler was estimated at nearly $100,000, a detail that underlined both Antonoff’s industry success and the seriousness of their commitment.
In the Vanity Fair conversation, Qualley finally addresses the future more directly. When asked if she and Antonoff plan to have children, she does not hesitate. “Yeah, for sure,” she answered. No elaborate explanation, no timeline, just a certainty that sits comfortably beside her description of herself as love-oriented.
That short response matters for a couple whose romance has often been seen through the lens of their careers. Antonoff, 41, is a multi-award-winning producer whose work with artists like Taylor Swift has reshaped modern pop. Qualley is building a film and television legacy that recalls the steady, graceful ascent of her mother, Andie MacDowell. The idea of future children folds their creative and personal worlds into one long story arc.
Inside Her Text From the Heart
Even with an on-the-record interview, Qualley still held back when it came to dissecting the inner workings of her marriage. According to Page Six, she later followed up with Vanity Fair by text, sending what reads like an unfiltered stream of consciousness about everything she loves.
“I love my husband, my family. I love dancing and horses. I love the moon. Happy crying is the best. I love listening to Tara Brach and books on tape. And anything Jack writes,” she wrote.
It is not a traditional celebrity quote about marriage or career. Instead, it sounds like the kind of message you might send to a close friend late at night. She moves from her husband to animals to the moon, to spiritual talks by Tara Brach and the old-fashioned pleasure of books on tape, then back to Antonoff’s writing. Her enthusiasms blur together, and that is the point. The marriage exists inside a larger constellation of comforts and fascinations.
Qualley’s Vanity Fair shoot places high glamour next to deeply personal admissions about the things and people she loves most.
Her follow-up text widens the circle again. “Female friendships are so holy, shout out Talia Ryder,” she added, name-checking her friend and fellow actress. “My sister was my first soulmate. I wanna die on a farm.” It is a vision of a life that contains fame but is not defined by it, one where the most sacred bonds are with sisters, girlfriends, and animals.
She even includes a small, unfinished story about herself. “I need to learn how to drive stick, my brother tried to teach me, but I was 12, and it did not land.” The image of a preteen Margaret grinding the gears in a manual car sits beside the grown woman in sequins on a magazine cover. It is another reminder that the version of herself the public meets has been shaped by a long, messy, affectionate family history.
The black lace looks and sequin dresses in the shoot contrast with Qualley’s homespun dreams of farms, family, and late-night drives.
A Tight Circle of Famous Friends
The story of Margaret Qualley and Jack Antonoff is not only about two people. It is also about the artistic community that surrounds them. According to Page Six, the couple married on August 19, 2023, at Parker’s Garage on Long Beach Island. The setting was coastal, intimate, and filled with names that dominate modern music and film.
In attendance were Taylor Swift, Channing Tatum, Zoe Kravitz, and Cara Delevingne, along with Qualley’s mother, Andie MacDowell, and her sister, Rainey Qualley. The guest list read like a cross-section of indie cool and mainstream power, yet the venue itself was a relaxed Jersey Shore spot rather than a sprawling palace.
Qualley and Antonoff’s wedding brought together chart-topping musicians, movie stars, and family at a low-key venue on Long Beach Island.
For a Gen X and Millennial audience who watched MacDowell become a fixture of 1990s cinema, there is something resonant about seeing her daughter craft a different kind of Hollywood life. Qualley’s career includes series work, festival films, and prestige projects, while Antonoff’s production credits stretch across multiple eras of pop. Yet the moments she chooses to spotlight now are small and specific: a husband’s writing, a sister’s bond, a future farm, a missed driving lesson.
In the Vanity Fair cover story, all of those details pull against the idea of a glossy, distant power couple. Instead, they frame Qualley and Antonoff as an artistic partnership that is surrounded by famous friends but still anchored in private rituals, chosen family, and a shared belief in love as a guiding principle.
Join the Discussion
Which part of Margaret Qualley’s candid comments about love, friendship, and the future with Jack Antonoff resonates most with you?
